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Bass Guitar Classes Mount Juliet TN

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Mount Juliet that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Scott N.
(877) 231-8505
carolyn ave
Nashville, TN
Subjects
Guitar, Bass Guitar, Music Performance, Music Theory, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in technique, rhythm, improvisation and music theory
Education
niagara county comm. college - music - 85-86 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Joshua B.
(877) 231-8505
Benjamin St.
Nashville, TN
Subjects
Bass Guitar, Piano, Singing, Songwriting, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I have been trained in classical and contemporary styles. My areas of specialty are in the pop/rock category, with country and soul music as well.
Education
Belmont University - Music - 8-1996 to 5-1999 (Bachelor's degree received) Muscatine Community College - Music/Arts - 8-1993 to 5-1996 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mitchell C.
(877) 231-8505
Oak Meadow Ct
Hendersonville, TN
Subjects
Guitar
Ages Taught
5 to 18
Specialties
Blues, Rock, Country, Flatpicking, Bluegrass,
Education
Calloway County High School - General Studies - 1996-1999 (High School diploma received) Middle Tennessee State University - Recording Industry/Music Business - 2000-2003 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John M.
(877) 231-8505
a Ashwood Avenue
Nashville, TN
Subjects
Guitar, Music Theory
Ages Taught
10 to 99
Specialties
I teach fundamentals and basic skills on the guitar that will help the student play the style they want to play. Well-versed in rock,pop, blues,r&b, and country. I teach music theory, and also encourage students to develop their own creativity. I can also introduce students to playing styles of guitar players from other genres. I have a well- detailed, organized plan.
Education
Belmont University - Music Business - 08/1985-12/1989 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Guitar Lessons
(615) 969-2244
6421 Lansing Dr
Nashville, TN
 
Ian D.
(877) 231-8505
Steamboat Dr
Nashville, TN
Subjects
Music Theory, Guitar, Songwriting, Bass Guitar, Music Performance, Music Recording
Ages Taught
1 to 99
Specialties
Rock, Blues, Pop, Country, Lead, Rhythm, Acoustic, Electric
Education
Musicians Instutite - Guitar - 1986-1987 (Degree received) Grissom - General studies - 1981-1985 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Steve W.
(877) 231-8505
Brick Church Pike
Goodlettsville, TN
Subjects
Percussion, Bass Guitar, Music Performance, Piano, Music Recording, Music Theory, Guitar, Drums
Ages Taught
15 to 65
Specialties
Mainly pop and rock, but I am very versatile and have had extensive experience in just about everything imaginable.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Carlos Enrique Gonzalez
3720 Yelton Dr.
Nashville, TN
Instruments
Composition, Ear Training, Guitar, Other
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

Data Provided By:
The Guitar Studio
(615) 431-2655
105 Earline Dr
Hendersonville, TN
 
Music Star Studios
(615) 509-1753
917 Glendale Ln
Nashville, TN
 
Data Provided By:

Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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