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Bass Guitar Classes Longview TX

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Longview that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

American Violin Co
(903) 746-3269
949 Hamby Rd
Longview, TX
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Unkle Bills Guitar
(903) 758-0797
110 W Marshall Avenue
Longview, TX
 
John Pollard's Sound World
(903) 297-2096
1615 Pine Tree Road
Longview, TX
 
Mundt Music CO
(903) 758-8872
2312 Judson Road
Longview, TX
 
Drew H.
(877) 231-8505
Bay Hill Dr
Austin, TX
Subjects
Bass Guitar, Singing, Music Theory, Guitar
Ages Taught
9 to 70
Specialties
I love to play and teach many styles but focus on pop rock (rhcp, audioslave, them crooked vultures, etc), folk rock (ben harper, jack johnson, etc. ) blues, funk, soul. Theory wise, I teach standard theory entwined with the nashville numbers system. I have found that that system works great and is pretty much the standard anymore. I encourage ear training!! You must develope the ability to hear where a song is going with out having your instrument in hand. You will learn to map out a song in…
Membership Organizations
TakeLessons Music Teacher

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Muel Barn Music
(903) 572-4316
9458 Fm 2796
Gilmer, TX
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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AUBURN MUSIC GROUP
(903) 757-1155
1201 W LOOP 281 STE 300
Longview, TX
 
Mundt Music
(903) 758-8872
2312 Judson Rd
Longview, TX
 
Arthur C.
(877) 231-8505
Pleasant St., at North LBJ
San Marcos, TX
Subjects
Music Theory, Guitar, Bass Guitar, Music Performance
Ages Taught
15 to 99
Specialties
I have experience teaching and playing rock (classic rock, progressive rock, metal), blues (acoustic and amplified), and jazz (swing and straight, bebop, funk, New Orleans, big band, cool jazz, hard bop, acoustic, latin, bossa). One of my specialties in rock and jazz is odd meter (5, 7, 9, 11, etc.) I also have ample experience with applied music theory for the guitar--that is, chord and scale theory.
Education
Southwest Texas Junior College - General Studies - 08/2005 - 12/2007 (not complete) Texas State University - Jazz Studies - 01/2008 - present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Andrew D.
(877) 231-8505
fincastle dr.
Katy, TX
Subjects
Bass Guitar, Songwriting, Guitar
Ages Taught
5 to 30
Specialties
I am versed in blues, rock, metal, folk, acoustic-finger-style, and various other acoustic styles. Acoustic finger-style and blues/rock I am perhaps the most highly proficient in, it being the first style I ever learned as a kid. But it is definitely not a limitation.
Education
HCC - no set major - 8/07 - 12/07 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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