Search Play Jazz Guitar.com

 

 




Bass Guitar Classes Lafayette CO

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Lafayette that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Kevin J.
(877) 231-8505
Depot Hill Rd.,
Broomfield, CO
Subjects
Music Theory, Bass Guitar, Guitar, Classical Guitar, Music Performance
Ages Taught
5 to 99
Specialties
The majority of my expertise in in classical guitar and electric rock guitar.
Education
Tishomingo High - diploma - 1991-1995 (High School diploma received) Oklahoma City University - classical guitar - 1998-2000 (Bachelor's degree received) University of North Texas - classical guitar - 2002-2005 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Doug S.
(877) 231-8505
E 104 Drive
Commerce City, CO
Subjects
Classical Guitar, Guitar, Music Performance, Upright Bass, Music Theory, Bass Guitar
Ages Taught
5 to 99
Specialties
I specialize in latin, jazz, popular and classical guitar. I teach all styles including rock, blues, folk and country. Focus on teaching chords, scales, theory and reading skills.
Education
Denver Institute of Technology - Drafting - July 1976-1977 (Associate degree received) University of Colorado At Denver - Music - 1982 (not complete) University of Denver - Music - 2009-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mary F.
(877) 231-8505
Simms St
Arvada, CO
Subjects
Guitar, Classical Guitar, Piano, Organ, Music Theory, Music Performance, Singing, Banjo
Ages Taught
5 to 105
Specialties
classical guitar and piano
Education
Alleman High School - - 1963-67 (High School diploma received) St Ambrose University - music education - 1979-81 (Bachelor's degree received) Northern Illinois University - music - 1994-96 (Master's degree received) Art Institute of Colorado - graphic design - 2007-09 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Robbs Boulder Music Co
(303) 443-8448
2691 30th St
Boulder, CO
 
The Lesson Studio
(303) 543-3777
3200 Valmont Rd Ste 8
Boulder, CO
 
John Taylor
4901 W 93rd Ave Unit #816
Westminster, CO
Instruments
Composition, Electric Bass, Guitar, Other, Theory
Styles
Blues, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
7 Years

Data Provided By:
Kramer K.
(877) 231-8505
Emerson St.
Denver, CO
Subjects
Music Performance, Upright Bass, Piano, Music Theory, Bass Guitar
Ages Taught
12 to 99
Specialties
I like to use a fun, but practical approach to teaching that utilizes musical examples, auditory and visual learning, and well as conceptual ideas. I teach music theory, improvisation, as well as ideas for playing with a group. I also teach some technique, in order to facilitate progress, and to avoid injury or unnecessary physical strain. Sometimes, I use instructional books for particular lessons as well. Genres that I specialize in include, but are not limited to rock, funk, jazz, alternat…
Education
University of Wisconsin - Milwaukee - Music Performance - Sept. 2005 - June 2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & ARTS Center
(303) 427-0601
7350 W 88th Ave Unit B
Broomfield, CO
 
Harmony Music House
(303) 444-7444
2525 Broadway St
Boulder, CO
 
Miller Music
464 Main St
Longmont, CO
 
Data Provided By:

Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

Click here to read the rest of this article from Play Jazz Guitar