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Bass Guitar Classes Hoboken NJ

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Hoboken that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Ian S.
(877) 231-8505
Wayne Street,
Jersey City, NJ
Subjects
Songwriting, Bass Guitar, Piano, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop, rock, folk, and jazz, as well as beginner classical piano. I also teach improvisation and songwriting, and try to develop the student's ear for figuring out songs they like on their own.
Education
Rutgers University - Chinese / Economics - 1994-1998 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jeffrey A.
(877) 231-8505
3rd Street,
Jersey City, NJ
Subjects
Bass Guitar, Music Theory, Music Recording, Music Performance, Classical Guitar, Guitar
Ages Taught
5 to 99
Specialties
Blues, rock, pop, Latin (salsa, merengue, cumbia, etc.), gospel, funk, rhythm and blues (classic and contemporary), jazz, as well as classical guitar repertoire. I am knowledgeable about the Suzuki method and incorporate these concepts into my lessons.
Education
University of Pittsburgh - Music, concentration in Jazz Guitar Performance - 1994-1998 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John L.
(877) 231-8505
E 28th St.
New York, NY
Subjects
Bass Guitar, Piano, Upright Bass, Ukulele, Guitar, Music Recording
Ages Taught
6 to 99
Specialties
I have been lucky to play tons of different types of music. I believe I can give musicians and aspiring musicians a deep understanding of what is most important in many different styles of music. Music I have been lucky enough to study and play professionally: Jazz, Rock, Funk, Afro-Cuban, Brazilian, Blues, Classical, Pop. I'm also a very good transcriber, so if there is a song you heard on the radio we can definitely play it! Ear training could be an area in which I could be of service to yo…
Education
Grove School Of Music - Bass - 1990-1991 (Degree received) San Diego State - Jazz Performance - 1992-1995 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Adam C.
(877) 231-8505
E. 40th St
New York, NY
Subjects
Guitar, Piano, Classical Guitar, Songwriting, Bass Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in a diverse variety of styles on the acoustic and electric guitar, bass, and piano, and am particularly skilled at communicating and applying theoretical and musical knowledge in a simplified manner. I am particularly capable in rock guitar, and have performed regularly in a rock band over the last 10 years as well as the University of Rochester's popular music performance group No Jackets Required, where I served as the group's president. I also specialize in classical guitar, …
Education
University of Rochester - Music & Psychology - Fall, 2006-Spring, 2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Isaac J.
(877) 231-8505
East 87th Street
New York, NY
Subjects
Guitar, Music Theory, Songwriting, Bass Guitar, Upright Bass, Piano, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
When teaching children, I prefer Alfred's method books for their accessibility and simplicity. I have a very deep knowledge of jazz and jazz history from classic new orleans to the most contemporary styles. I also teach classical music on the upright bass and piano and have students playing Beethoven and Bach regularly. I have a thorough knowledge of Western classical music history and as a composer, am an expert theoretician. I have taught rock and pop guitar for many years and have always f…
Education
New York University - Jazz Performance - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Benjamin M.
(877) 231-8505
Hopkins Ave. 1R
Jersey City, NJ
Subjects
Music Recording, Music Performance, Guitar, Saxophone, Music Theory, Songwriting, Bass Guitar
Ages Taught
5 to 75
Specialties
I am fluent in Rock genres, Blues, Beginning Jazz, Beginning Classical technique, Prepared Guitar, Electronics/Sound Art.
Education
Boston School of Contemporary Music - Music Theory - 1973-74 (Degree received) Chicago Columbia College - Music Composition - grad. 2002 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
James Lenger
1350 Avenue of the Americas 2nd Floor
New York, NY
Instruments
Composition, Ear Training, Electric Bass, Film Scoring, Guitar, Music Therapy, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$90
Years of Experience
10 Years

Data Provided By:
Yuichi H.
(877) 231-8505
8th Avenue
New York, NY
Subjects
Drums, Percussion, Bass Guitar, Music Theory
Ages Taught
8 to 99
Specialties
drums, percussion, electric bass (beginning to intermediate level), music theory, guitar and keyboard (beginning level) Rock, Pop, Jazz, Blues, R&B, Funk, Latin includes Afro-Cuban, Brazilian,
Education
The City College of New York - jazz performance - the spring of 2000 Berklee College of Music, Boston, MA - diploma in professional music - the spring of 1995 Waseda University, Tokyo, Japan - commerce - the spring of 1991
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Michael S.
(877) 231-8505
E 3 St
New York, NY
Subjects
Music Theory, Banjo, Bass Guitar, Guitar, Ukulele, Harmonica, Piano, Mandolin, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
5 to 99
Specialties
I have extensive experience in a wide variety of styles. These include classical, jazz, country, various ethnic, rock, and pop styles.
Education
St John's Prep - General - 1967-1971 (not complete) Queensborough Community College - Music - 1974-1976 (not complete) Empire State College - Music & Education - 1994-1996 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
James B.
(877) 231-8505
Henry Street
Brooklyn, NY
Subjects
Bass Guitar, Guitar
Ages Taught
5 to 60
Specialties
I teach almost all styles of guitar including Rock, Jazz, Blues, Classical and everything in between. The only genre I do not specifically teach is Flamenco Guitar. I studied and use the William Leavitt Guitar method, which is used at Berklee College of Music. Additionally I have developed several of my own techniques, embracing the use of standard notation, tablature and playing by ear.
Education
James Madison University - Psychology & Jazz Studies - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
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