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Bass Guitar Classes Grand Rapids MI

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Grand Rapids that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Michael Sanchez
4249 Abby Lane
Grandville, MI
Instruments
Guitar, Piano, Viola, Violin, Voice
Styles
Classical, Folk - Country - Bluegrass
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
10 Years

Data Provided By:
A Fun Guitar Bass Drum Lesson
(616) 734-8224
72 Brookmeadow Dr SW, Apt 12
Grandville, MI
 
Farrows Music
(616) 538-8430
51 44Th St Sw
Grand Rapids, MI
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Marshall Music Co
(616) 530-7700
545 28Th St Sw
Wyoming, MI
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided By:
Firehouse Music
(616) 532-3473
3125 28Th St.
Grandville, MI
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Firehouse Guitars features in-house guitar, bass, and drum repair. From while you wait restrings to complete drum set reheading, we do it all and at very reasonable rates.
Hours
Monday-Friday 11:00AM-8PM
Saturday 10:00AM-6PM

Data Provided By:
Cascade Guitar Studio
(616) 977-9644
6810 Old 28th St SE, Ste 5
Grand Rapids, MI
 
Middletons Music Studio
(616) 458-3751
3601 Plainfield Ave Ne
Grand Rapids, MI
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided By:
Rainbow Music
(616) 774-0565
1148 Leonard St Nw
Grand Rapids, MI
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided By:
Meyer Music
(616) 975-1122
2855 Lake Eastbrook Blvd Se
Grand Rapids, MI
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided By:
Fire House Music
(616) 706-5259
3125 28Th St Sw
Grandville, MI
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment

Data Provided By:
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Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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