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Bass Guitar Classes Dublin OH

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Dublin that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Molly Young
3387 Garylane Dr.
Dublin, OH
Instruments
Audio Recording, Composition, Ear Training, Electric Bass, Flute, Guitar, Music Business, Piano, Recording, Stand Up Bass, Suzuki Method, Theory
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
8 Years

Data Provided By:
German Village Music Haus
(614) 228-8467
350 S Grant Ave
Columbus, OH
 
Jerry LOOS Guitar Training Center
(614) 882-8349
5373 Westerville Rd
Westerville, OH
 
Solid Rock Solutions
(614) 771-8746
6204 Brushwood Blvd
Hilliard, OH
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

Data Provided By:
Colonial Music And Arts
(614) 891-9008
43 N State St
Westerville, OH
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Guitar Shoppe
(614) 457-6303
1161 Kenny Centre Mall
Columbus, OH
 
Colonial Music
(614) 891-9008
43 N State St
Westerville, OH
 
Music Royale
(614) 793-2222
4012 Presidential Pkwy
Powell, OH
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Musicians Exchange
(614) 527-0022
3779 Farmbrook Ln
Columbus, OH
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
German Village Music
(614) 228-8467
350 S Grant Ave
Columbus, OH
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided By:
Data Provided By:

Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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