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Bass Guitar Classes Chesapeake VA

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Chesapeake that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Catherine W.
(877) 231-8505
Doe Run
Suffolk, VA
Subjects
Songwriting, Piano, Percussion, Singing, Guitar, Music Theory, Music Performance
Ages Taught
12 to 99
Specialties
Ear Training & Chord Theory
Education
Belmont University School of Music - Music Composition - 1992-1996 Tidewater Community College - Prerequisites for Belmont - 1990-1992
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & ARTS Center
(757) 495-0988
5244 Providence Rd
Virginia Beach, VA
 
Moes Music
(757) 431-8888
2923 Virginia Beach Blvd
Virginia Beach, VA
 
MUSIC THEORY STUDIOS
(757) 961-6202
Virginia Beach, VA
 
Ofb Guitars
(757) 436-6116
5 Fairway Dr
Portsmouth, VA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

Data Provided By:
Music & ARTS
(757) 366-0666
1412 Greenbrier Pkwy
Chesapeake, VA
 
GUITAR LESSONS (in home)
(757) 409-0762
1137 Cordova Ct
Virginia Beach, VA
 
Muzik 4 Life
(757) 201-3929
315 N Great Neck Rd Ste 100 - 140
Virginia Beach, VA
 
Have Guitar-Will Travel Guitar Lessons
(757) 484-1887
Suffolk, VA
 
Alpha Music Inc.
(757) 486-2001
3234 Virginia Beach Blvd
Virginia Beach, VA
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment

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Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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