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Bass Guitar Classes Castle Rock CO

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Castle Rock that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Brandon N.
(877) 231-8505
Quartz Street
Castle Rock, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Kevin Z.
(877) 231-8505
E Belleview Pl
Aurora, CO
Subjects
Guitar, Music Recording
Ages Taught
1 to 99
Specialties
music, electric guitar, guitar, digital recording Shred metal, rock, acoustic.
Education
Westminster High - General - 1991-1995
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ron Jones Fiddle & Guitar Lessons
(303) 840-9594
Parker, CO
 
Denver Guitar School
(303) 806-9806
7950 S Lincoln St, Ste 111C
Littleton, CO
 
Rockstar Guitar Piano Voice DRUM Lesson
(303) 586-4962
4363 S Grant St
Englewood, CO
 
Brandon N.
(877) 231-8505
E Summit Road
Parker, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Joey I.
(877) 231-8505
S. Parker Rd.,
Aurora, CO
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Guitar, Drums Speed, Metal, Psychedelic Rock (Pink Floyd, The Beatles, etc.), Dexterity, Coordination, Synchronization, Writing Music, Interpreting music.
Education
Grandview Highschool - Music - 2004-2008 (degree received) Metro State College - Music - Spring 2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Tamminga Music Studio
(720) 842-0842
Parker, CO
 
Music & ARTS Center
(303) 973-0977
7421 W Bowles Ave Ste 16
Littleton, CO
 
Mymusicstuff.Com
(303) 840-2449
10940 S Parker Rd # 110
Parker, CO
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
Data Provided By:

Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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