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Bass Guitar Classes Brazil IN

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Brazil that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Music Shoppe
(812) 232-4095
1427 S 25Th St
Terre Haute, IN
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Conservatory Of Music
(812) 232-2735
470 W. Honey Creek Drive
Terre Haute, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Guitar and bass repairs, Orchestral strings, band instruments, Electronic repairs
Hours
Monday-Thursday 9am - 8pm
Friday 9am - 6pm
Saturday 10am - 6pm

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COLUMBIA RECORDS EMPLOYEE FEDERAL CREDIT
(812) 466-8135
1400 N FRUITRIDGE AVE
Terre Haute, IN
 
REVOLUTIONS
(812) 232-8272
421 WABASH AVE
Terre Haute, IN
 
Guitar Center Terre Haute
(812) 231-1263
3684 S. US Hwy 41
Terre Haute, IN
Store Information
Mon-Thur: 11-8
Fri: 11-9
Sat: 10-7
Sun: 12-6

Popejoys Music Center
(812) 234-0111
1501 Wabash Ave
Terre Haute, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Strings & Things
(765) 832-7685
2605 W 7Th Ave
Clinton, IN
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
COLUMBIA GROUP FEREDAL CREDIT UNION
(812) 466-8135
1400 N FRUITRIDGE AVE
Terre Haute, IN
 
Guitar Center #624
(812) 231-1263
3600 S Us Highway 41
Terre Haute, IN
 
FYE
(812) 235-4291
3401 S US HIGHWAY 41 STE D2
Terre Haute, IN
 
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Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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