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Bachelor's Degree in Music Dallas GA

Local resource for Bachelor's degrees in music in Dallas. Includes detailed information on local colleges and universities that provide access to classes in music performance, music education, music theory, composition, music history, and music technology, as well as advice and content on studying music and music careers.

Kennesaw State University
(770) 423-6000
1000 Chastain Road
Kennesaw, GA

Data Provided By:
Michael B.
(877) 231-8505
Collier Trace
Kennesaw, GA
Subjects
Guitar
Ages Taught
10 to 99
Specialties
Specialize in Jazz, Rock
Education
Georgia State University - Music Management - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & Arts
(678) 761-3401
Battle Ridge Pavillion, 1690 Powder Springs Road, Suite 213
Marietta, GA
 
University of Georgia
(877) 516-3467
University of Georgia
Athens, GA
Tuition
Full-Time In-State Tuition Costs : $4856
Full-Time Non-Resident Tuition Costs : $21168
School Information
Type of Institution : University
Institutional Designation : Public—State

Data Provided By:
Kennesaw State University
(770) 423-6000
1000 Chastain Road
Kennesaw, GA

Data Provided By:
Dylan C.
(877) 231-8505
Pine Valley ct.
Hiram, GA
Subjects
Songwriting, Bass Guitar, Guitar, Classical Guitar, Music Performance, Music Recording, Music Theory
Ages Taught
5 to 99
Specialties
Guitar- Sweep picking, Two hand tapping, Alternate picking, String skipping, etc Genre-Rock, Classical, Jazz, Metal, etc
Education
Atlanta Institute of Music - Guitar - 2007-2010 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jessica J.
(877) 231-8505
westfield drive
Mableton, GA
Subjects
Percussion, Piano, Music Theory
Ages Taught
1 to 20
Specialties
Specializes in teaching children. Beginning and intermediate piano, beginning and intermediate snare drum and percussion
Education
Georgia College ad Stat Universty - Early Childhood educaion wth a minor in music - 2001-2003 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Toccoa Falls College
(888) 785-5624
PO Box 899
Toccoa Falls, GA
Tuition
Tuition Costs : $14500
School Information
Type of Institution : Four-Year college
Institutional Designation : Private—Religious

Data Provided By:
Spelman College
(404) 681-3643
350 Spelman Lane SW
Atlanta, GA
Tuition
Tuition Costs : $17266
School Information
Type of Institution : Four-Year college
Institutional Designation : Private—Nonprofit

Data Provided By:
Savannah State University
(912) 358-4778
PO Box 20209
Savannah, GA
Tuition
Full-Time In-State Tuition Costs : $3098
Full-Time Non-Resident Tuition Costs : $12390
School Information
Type of Institution : Comprehensive higher education system
Institutional Designation : Public—State

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Inspiration Wanted - Apply Within!

Inspiration Wanted - Apply Within!
By Chris Standring ( www.chrisstandring.com )

One of the biggest stumbling blocks for music students is knowing what to practice. In the early years students listened to their teachers and did what they told them to do, which is still of course perfectly valid. But the real turning point that sets a student on their own path is the ability to self motivate and take the reins without the aid of a mentor.

This usually happens around the time that the student falls in love with music. When a student starts out, they usually practice out of fear. Fear that they might be told off because their teacher will scold them for NOT practicing. So much later, when the student has some basic playing facility behind them, music all of a sudden becomes fascinating to them. This is when the craving to pick up the instrument starts to happen.

As the student continues to explore on his or her own, there are doubtless times when road blocks appear. I've always thought that improving happens in peaks and plateaus, where the plateaus of seeming UN-improvement seem to last forever! This of course is never the case because the plateaus are the times when the information is being absorbed which is so necessary.

However, it is during these plateaus that the student often gets stuck. Personally, I have always got through these troublesome times because I have always paid close attention to a little inner voice that would always tap me on the shoulder and say "You know you have a weakness when you play over diminished chords", or "Your sight reading in the 8th position needs a little work when you play in the key of Ab". And so on.

This little voice never went away over the years. She's still there today, tapping me on the shoulder every few weeks, making sure I am not resting on my laurels. But I have found that if I am committed to improving and really open to working on whatever I need to work on, I will always get the advice I need.

I think deep down we all know what our strengths and weaknesses are as players at any level. Therefore as we continue to grow and develop as musicians, we must always pay very close attention to our weaknesses and work on them. They usually stare us in the face. The trouble is, it is very easy to ignore what is usually obvious to us.

One thing I have found is that, unless I am really open to learning and in the mode of wanting to improve, that little inner voice tends to go away. She's not tapping me on the shoulder telling me what I need to work on unless I really want to know.

So I guess what I am trying to say here is ask yourself questions! What is your real commitment to music and what are your weaknesses? If you truly want to be a great player then you simply need to focus on your weaknesses.

Now as time goes on, and you cover the playing field regarding technique, harmony and melodic vocabulary, then that inn...

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